I’m deeply honoured to receive the inaugural Taylor Wessing Irish Photo prize.
Read MoreFor Oliver
Oliver Stanley was a beautiful man, and a really great friend to me. He died, aged forty-one, on this day in 1995. Remembered with warmth, much love, and this dedication.
He’d be pretty tickled to know I was posting a picture of his arse to the entire world, all these years later, and that this same image was included in a major exhibition last year. There’s a portrait of him in my Friends and Family gallery.
Flag no. 6, from Post-State, 2022
Talamh
I'm delighted to be part of a major exhibition this March in Momentum Fine Art, Miami. “Talamh”, featuring work by eight contemporary Irish photographers, will be formally launched by Minister of State Niamh Smyth TD on Thursday, March 12, 2026, 8pm. A book signing and artist talk will take place on Saturday, March 14, 2026 at 6pm.
Talamh is the Irish word for “land” or “ground,” and carries meanings that extend beyond physical terrain to include heritage, memory, and belonging. The show brings together works by eight Ireland-based contemporary photographers working across a range of themes and united by a shared commitment to long-form photographic projects; Conor Horgan, Shane Lynam, Fionn McCann, Malcolm McGettigan, Yvette Monahan, Brían Sparks, and Agata Stoinska. For this exhibition, Island Photographers have invited Linda Brownlee to exhibit alongside the group.
Talamh explores Ireland as a country shaped by tensions: between extraction and restoration, the inner and outer landscape, deep time and the present moment. What emerges is a portrait of a place both familiar and newly revealed, rooted in history yet continually reshaped by change. Each of the eight artists have experienced this landscape in distinct ways, responding to or interpreting it through the prism of their lived experience. Despite these individual perspectives, overlapping concerns emerge, and their works are bound by the zeitgeist of their era.
The works trace the fine line between myth and lived experience, revealing how both continue to inform the Irish gaze. Ireland is presented not as a fixed idea, but as a living, shifting territory formed by culture,politics, and the people who move through it.
Mass. Missed
I came across some out-takes from a feature I shot in Boston a couple of years ago - it was never used because the magazine went out of business.
Shot through a plastic awning outside a famous Boston Lobster restaurant
PARIS CITY OF LIGHTS
Many thanks to Mark Steinmetz and Irina Rosovsky for including my photograph from the Gilet Jaunes protests in their pop-up exhibition PARIS CITY OF LIGHTS, held during Paris Photo. The photograph was also featured in Winter Papers Volume 9, along with an essay about my Lèche-Vitrines project.
Works on Show Autumn / Winter 2025
Lavinia Greacen for The Gloss Magazine
My portrait of author Lavinia Greacen for The Gloss Magazine, taken at her home in the Dublin mountains. In addition to writing two books on JG Farrell, her latest book “Military Maverick: Selected Letters and War Diary of ‘Chink’ Dorman-Smith” has been nominated for the International Templar Prize. This is akin to the Booker Prize for military historians, of whom vanishingly few are women. The interview with her by Antonia Hart is great–it can be read here.
EDGE
Some news about EDGE, my latest body of work. This project is a personal, non-documentary response to the State’s hostility towards homeless International Protection Applicants, particularly on and around Dublin’s Grand Canal. I’m delighted it’s one of fifteen short-listed projects from over 700 worldwide submissions to Photo Museum Ireland’s inaugural International Open Awards Reflecting the Real, which opens at 14:00 this Saturday July 5th. Other works from the series will be seen in the RHA Gallery and in a 10 page portfolio in Source Photographic Review later this year.
Out of The Strong Came Forth Sweetness
I’m proud to have archival and current work on view as part of the “Out of The Strong Came Forth Sweetness GHN 30” exhibition, which takes place between May 12 - 25, Naughton Institute Building (formerly the Science Gallery) in Trinity College Dublin.
Install photograph by Evanna Devine
“Chow Chow” 40x40 cm archival pigment print, from my Disco Vegetables series.
The show also includes archival images and material about my great friend Oliver Stanley (1954-1995).
Install photograph by Evanna Devine
(L-R) Poster for SHAFT, modelled and designed by Oliver, used as the Open Call image for the show.
Portrait of Oliver with his partner Fran, first seen in my exhibition “Portraits” in the Gallery of Photography, 1995.
Portrait of Oliver.
Oliver’s obituary from the Sunday Tribune and his peaked leather cap.
Some Theatre News
RIP Paul Durcan
My portrait of the great poet was taken for RANT magazine, and after he saw it in an exhibition at Photo Museum Ireland some years later, he was kind enough to send me a card. It said "In so far as one can talk of portraits of oneself without vanity or conceit – and I think one can – I was hugely impressed as well as moved by your portrait".
A lovely and very talented man.
I was very moved to see the portrait used on the Mass card and carried before the casket by his granddaughters Julia and Rosie Joyce at his funeral.
Photograph Nick Bradshaw / The Irish Times
After the Storm
The aftermath.
Read MoreMeiert Avis, director. The portraits were all shot in 1.85:1 ratio to make them look more cinematic.
Windmill Lane Memories
I'm sorry to hear Windmill Lane has closed.
Read MoreJazz fm
I’m sad to hear of the passing a few days ago of Ollie Dowling, the founder of Jazz fm, Dublin’s only “urban” pirate radio station. He gave me a two-hour show there between 1998 and 2002, which I called The Deep End and enjoyed doing very much.
Read MoreAcquired
As the year comes to an end, I’m delighted to receive the news that my portrait of the artist Michael Kane has been acquired by the National Gallery.
Read MoreAt the Kitchen Table
A series of photographs made after my mother died in September 2016.
Read MoreTwo Years Later
It's been two years this week since my solo exhibition Post-State opened in the RHA Gallery. Many of the works have been shown in other exhibitions since then - click image for more details and images.
Read MorePhotograph by Bill McHugh / Herman's Auctioneers
Biddable
I’m delighted to have this work in the upcoming Contours Contemporary Art auction in Hermans Auctioneers, Dublin.Click through for details.
Read MoreSeasons of the Pole
The last one is shot through a 150-year-old wibbly windowpane, which will soon be replaced by double-glazing. I’ll miss it.
I'M ON THE DART*
*thanks to the Little Museum of Dublin
Tá mé ar an DART, buíochas le Músaem Beag Bhaile Átha Cliath
The DART is the Dublin Area Rapid Transit system. I’m also on the wireless, in this short documentary about the Presidential poster image.
